2018 | BIRMINGHAM MUSEUM OF ARTEXHIBITION CATALOG192 PAGES | SOFTCOVER | PERFECT BOUNDDESIGN NOTESIdiosyncratic approach to placing images on the grid, anchored by a solid, recurring text block.
Titles were set in various weights and widths of Bureau Grotesk to highlight the originality of each personality.
In reference to the religious nature of much of the work, and alluding to the red letter editions of the Bible, direct quotes of the artists were rendered in red.More »
2021 | BIRMINGHAM MUSEUM OF ARTEXHIBITION CATALOG56 PAGES | SOFTCOVER | PERFECT BOUNDDESIGN NOTESA bold, assertive and industrial American typeface, Franklin Gothic was chosen for the cover and article titles. The cover image was chosen to focus on a quintessential New England industry, focusing on the workers, casting them in a heroic framing, to live up the artist’s framing of this work as “an epic of earth and water.”
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2013 | BIRMINGHAM MUSEUM OF ARTEXHIBITION CATALOG96 PAGES | SOFTCOVER | PERFECT BOUNDDESIGN NOTESHand painted cover motif in reference to the signs of the Movement.A sturdy and direct approach the text to create an unflinching look at the subject matter.More »
2012 | BIRMINGHAM MUSEUM OF ARTEXHIBITION CATALOG208 PAGES | HARDCOVER W/ DUST JACKETDESIGN NOTESSquare format to complement the tiny handheld nature of the objects. Charming typography using Didot and Archer, the first of the era, the second an elegant contemporary contrast.More »
2012 | BIRMINGHAM MUSEUM OF ARTEXHIBITION CATALOG264 PAGES | SOFTCOVER | PERFECT BOUNDDESIGN NOTESColor palette to complement the earthen ware harmoniously.Photography backgrounds reduced to black to forergound the objects and bring consistency throughout.More »
